Tomkins Collection

Figure, uli, lembankakat egilampe

TC 53
Provenance: Probably collected in situ in Lamasong J.F.G.Umlauff, Hamburg. “Photographed in the Umlauff Museum in the 1920s, reference 168/35596. “(Beaulieu) Eduard von der Heydt, Ascona, acquired from the above on February 22, 1926 Galerie Flechteim exhibition number “161” inscribed in pencil on proper right leg.    Loaned to Alfred Flechtheim for Südsee Plastik 1926 Rietberg Museum, Zurich, donated by von der Heydt  (inv.no. RME 434 inscribed in white ink) Everett Rassiga, New York acquired from the above by deaccession and exchange Parke-Bernet, New York, October 4,1969: lot 113, consigned by Rassiga Hélène and Henri Kamer, New York, acquired at the above auction Private collection  Kevin Conru, Brussels Sotheby’s New York May 14, 2018: lot 111 
Dimensions: H. 127 cm
Culture:

Uli figures were made in central New Ireland and served as the focus for memorial ceremonies honoring a recently deceased  dead man. Following the death of such a village chief, a series of pig feasts were held every month for a full year. They culminated in a final gathering for which the figure had been carved to represent the deceased. People from neighboring villages assembled at this time… and brought with them old Ulis that  had  been repainted for the occasion and that they displayed in huts constructed especially for this purpose. When the newly  carved Uli was brought out, a shaman assisted in inducing  the  spirit of the deceased chief to enter the carving, and after the ceremony, the work was kept in the men’s house where it would continue to aid the successor and his people…Although Ulis represent male chiefs, they are also hermaphroditic, as indicated by the female breasts. (Wardwell 1994: 114)

Publishing History: Galerie Flechtheim 1926, Süsee Plastiken, no.161. Parke-Bernet Galleries, New York. Oceanic Art, October 4, 1969: 47-49, lot 113.   Philip C. Gifford. The Iconology of the Uli Figure of Central New Ireland. Ph.D. dissertation. New York, Columbia University 1974: 219 (no. 64). Carl Einstein. “Südsee-Plastiken.” Veröfflentlichungen des Kunstarchivs No.5, Berlin 1926: 17 (cat.no. 161 listed).  Jean-Philippe Beaulieu. Uli: Powerful Ancestors from the Pacific. Primedia, Bornival 2021: 284-285 (cat.no. U8-10).
Exhibition History: Galerie Flechteim, Berlin, “Südsee-Plastik, May 1926 Exhibition traveled to: Züricher Kunsthaus, Zurich June 1926 Galerie Flechtheim Dusseldorf August 1926.
Village Notes: Lamasong
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